Tuesday, December 9, 2008

Live Music Review: Djai Skjellerup @ SL Globe Theatre

Second Life Live Music Review
Written by Enniv Zarf (RL: Paul Kwo)
Metaverse Music
Djai Skjellerup
SL Globe Theatre
4.5 stars out of 5 stars

I have been the voice director of the SL Shakespeare Company for this past year directing all the voice performances of all the Shakespeare productions. But right now the company is having a bit of financial trouble mainly because it's trying to sustain a four sim corners venue to provide for the maximum amount of people to attend the events. A some shows we had near 200 people at all the different sims.

So Music Not Politics decided to support SLSC by throwing a series of concert this weekend. I actually didn't even know what has been going on in terms of fundraising until I got the notice myself and decided I may as well write up reviews there.

A little about SLSC. SL Shakespeare Compnany is a theatre company that has been producing full productions with sets and costumes and everything else to go along with it. They have a four sims set-up so to relief the amount of lag from so many people and sets and costumes. It is a very expensive endeavor. It's also great to see the arts supporting each other here in Second Life. We've seen a lot of fundrasier marathons for real life charities and issues, but it's nice to support something that is totally exclusive to Second Life. So if you are interested, do stop by the Globe Theatre which is a great build, detailed in architecture, and donate some Lindens to support their cause.

It's also a wonderful pleasure jump in and find someone who performs all original music at his shows (well almost all, he did end up singing some covers later in the concert). Djai Skjellerup is a singer/songwriter/pianist based in the UK and his music does have a sort of Elton John feel to it, but it's not Elton John. He does write on his website that he likes to write music that's familiar and sounds like things that we heard and he does do that rather well.

I guess I get to actually seriously review original music this time...

...instead of talking about how good or bad someone sings. Well I have to talk at least a little about that, but I'll do that later. The emphasis on this one is definitely more on the originality of the performance.

It's tough for sure to sell yourself off as an original music performer and it's very hard to hold an entire concert of your own music. But it does help that Djai's music is very familiar. But it's because it's so familiar that I am not sure what we can really do with it. It really has too much of an Elton John feel all the way from top to bottom. His singing style also reminisce of Elton John along with the piano accompaniment. I just can't get the image of Elton John sitting at the piano singing Candle in the Wind when I hear Djai. The more I hear Djai, the more I think Elton John wannabe. But I do think it's because he likes that kind of music and so he writes in that style and feel. Which is fine, derivative art is still art. In the end we all tend to emulate those who we admire and love. [UPDATE: I wanted to clarify, this statement was meant as a statement of all of music and all of art that has ever been created. We are all deriving them from something else. All art by nature is derivative unless if you were among the first human beings to walk the planet. But even then art was derived from nature.]

His original songs are good to listen to but unfortunately it's a bit forgettable because I feel like I've heard them all already. But it's great to occasionally come back and listen to him sing them. It reminds me of the days that has gone by. It kind of reminds me of this pseudo Moulin Rouge kind of an image for some odd reason, with Ewan McGregor singing "Your Song." And his vocal technique is about on that level. It's not on the level of Elton John, but if it was an actor singing a part, it would be more then acceptable. Well I really liked Ewan McGregor in Moulin Rouge and how he sang it, so I have nothing against Djai at all. I like it. It's fun.

And Djai's talking over his playing in between him singing really totally gives me that again, Elton John feel. Let's hold hands and save the world together. It's fun though, I think it's perfect for this kind of campaign. It's very smoochy and all emo. I am totally about to pull out my lighter and start waving my arms around and cry, well maybe not cry. But still he does it absolutely well and it's perfect for this kind of campaign. And when he holds these really long notes in his rendition of "First Cut is the Deepest", really I am about to fall out of my chair thinking can it be any more "Heal the world?" He would then tell people to sing along, and yell out lines like "can you hear me?" It's so cheesy and corny that I am just having a ball! It works because he takes it so seriously that I can't help but to just go with it and enjoy the whole process.

He even started a collaborative project where he had 24 musicians record together this Christmas song he wrote. He even commented that he tried very hard to write a song that's not cheesy, if that was possible at all. I am glad he has a great sense of humor and it's this that I find him and his performance just fun and absolutely thoroughly enjoyable. He is going to give out that track free for anyone to download and enjoy and rest assure I will definitely get my hands on that and let you all know what I think about it. You can read about the project here.

Perhaps it's just a British thing, but then I am pretty sure it's a Djai thing. He may not be the best singer and pianist around but he is still very good and is fantastic and fun to listen to. I'm also glad that he does a lot of originals which is something I want to see more in Second Life. He is an act, a good one, that if you are into Elton John type originals, Djai would be the one to go to. If you want to just have a retro afternoon and be all cheesed out, and we all do soemtimes I mean isn't that's why we all go Karaoke or go to Vegas and watch these Liberace shows? Oh I guess I'm the only one. Well I actually don't go to Vegas often so I don't really watch shows there. Nevertheless Djai is an act and I think it's a pretty good one to have fun with especially if this is your type of music.

4 comments:

  1. I don't even know where to BEGIN commenting on this review. We could say it is inaccurate and completely off base- but that's stating the obvious.
    Allow me to point out that you are the "vocal coach" for the Globe- yet it's been said your music is less than mediocre? Something doesn't seem right there. They say those that can't do, teach. But those that can't do, should NOT review.
    But I digress. Back to the matter at hand. When reviewing a performer, it is one thing to compare their style to the style of another performer. But to compare them to someone completely unrelated, seemingly in an effort to bring derrogatory connotations to the association thereof, that is completely uncalled for! To stereotype a performer when they are performing their original pieces is absolutely ludicrous! You comment on Djai's "mix" of cover pieces and originals. Djai performed 2 (count them 1,2) cover pieces in a 1 hour and 40 minute set. The rest were all absolutely original.
    The fact that you can badmouth a performer who was helping to kick off an extension of a project you seem so adamant to help promote... Well, that thought is just mind boggling. Your reviews go from one extreme to another. You are either so demeaning to the performer its amazing there are no guidelines on reviews, or you sing their praises (with an underlying cut of sarcasm- EVERY time).
    Djai embraces a concept called audience interaction. Generally seen to be a good thing by reviewers and audience members alike. You should really open up your mind and see what it does for a performance.
    It is really impossible to comment on one of your reviews simply because you backtrack everything you say. One minute you're saying Djai is essentially like something you've heard before, thereby its impossible to be impressed. Then in the next breath you sing his praises because he has such a great time with it. Then-really- did you compare him to a Vegas act?? These reviews keep getting better and better!
    A little tip, if you're going to review a performer, decide in your own mind whether you like them or not. Then write the review on that conclusion. Don't further confuse your readers, making them constantly wonder "Was he REALLY impressed, or is that sarcasm?"
    Your writing is mildly amusing for is redunancy at best. Your opinions will not affect the fanbases (and let me assure you, Djai and all the other performers you've so blatantly blasted all have strong fanbases- for good reason!) So write if it makes you feel better. But don't expect to gain a following because of it. And allow me to repeat- ACCURACY makes a review.

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  2. I welcome any thoughts and anything people think about what I said here. But I will also defend what I said and why I said it.

    People are very sensitive about music and what people say about who they love and like. First of I want to make sure you all know that I liked Djai. You may not like what came across to my ears as the way I described it, but I did not mean anything of a derogatory in nature.

    I want to comment on the accuracy of this comment:

    You said:
    "You comment on Djai's "mix" of cover pieces and originals. Djai performed 2 (count them 1,2) cover pieces in a 1 hour and 40 minute set. The rest were all absolutely original."
    I said:
    "It's also a wonderful pleasure jump in and find someone who performs all original music at his shows (well almost all, he did end up singing some covers later in the concert)."
    How was this in any way inaccurate. I said it was pleasure someone who does all original, but he did end up doing some covers. 2 covers would be some. But you decided to read that as a negative thing. I even put it in parenthesis to downplay the significance of the cover.

    I did not intend to bad mouth Djai except that you thought what I think is good is a bad thing. That's the apparent thing that is coming across to me. But I stand by what I said. It is fun to listen to him then and there, but his music being so familiar is lost in my mind afterwards and doesn't make an impression of me afterwards. And I am certain I am not the only who feels this with his music. But I know there are those who love him.

    You felt this review is negative because I wasn't ooing and awing over the music of Djai. This review to those who doesn't know Djai doesn't think it's a bad mouth review, but a semi mixed review.

    You said:
    "Djai embraces a concept called audience interaction. Generally seen to be a good thing by reviewers and audience members alike."

    There are multiple ways to interact with the audience and how someone interacts with them. And the come across the stream in different ways. I can't argue with you because you already love him and he can do no wrong. I am not saying he did anything wrong, but that is really what came across to me, someone who just got in and never heard him before and now reviewing him.

    You said:
    "Allow me to point out that you are the "vocal coach" for the Globe- yet it's been said your music is less than mediocre? Something doesn't seem right there."

    Two things: First Voice director has nothing to do with music to begin with. Voice directing is acting. Music is music. This is not an valid argument on that level. Second is that about my own music, I comment on my own music and down play them no matter what I think about it. I don't like to boast about my own music. I have already made it clear from the start I don't review my own music. It's just not possible to do.

    You said:
    "little tip, if you're going to review a performer, decide in your own mind whether you like them or not. Then write the review on that conclusion. Don't further confuse your readers, making them constantly wonder "Was he REALLY impressed, or is that sarcasm?""

    I think unless if I say Djai is amazing and so wonderful and awesome and his original music is the bomb that you will hate me. But it's ok, I already know at least 20% of the people out there will hate me not matter what. I am only pointing out what I heard. But I do know it's my own opinion and I say that over and over on my postings about who I am and what I'm a trying to accomplish. Do you know your own bias? I at least know.

    You said:
    "Your opinions will not affect the fanbases (and let me assure you, Djai and all the other performers you've so blatantly blasted all have strong fanbases- for good reason!)"

    I don't expect to change fans opinion about someone. They are fans of those people and will love them no matter what they do. But I also know that there are people who do agree with what I have to say too. We all have different opinions and that's the nature of reviews. But I do welcome your thoughts cause they get me thinking and on top of things. And I grow as a reviewer because of what people say.

    You said:
    "And allow me to repeat- ACCURACY makes a review."

    There was nothing inaccurate about this review in terms of facts. The rest is opinion and how I felt his music was. That's what I have said over and over. It's my opinion. You have yours. That's what I heard and that's what came across to me. I thought it was fun and I had fun watching him and listening to him. I felt he was a bit over the top at times, but it worked for me still.

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  3. you can write your opinion about music you are free to do so.
    i do it myself as well.
    If you know anything about music is something i dont even want to discuss,
    its allways a delicate and personal thing to do.
    I dont like Opera for instance, thats not singing ?

    I am sure you can name 10.000 chords and i bet you can even play them
    blindfolded with your hands tied to your back.

    But that doesnt mean that you UNDERSTAND music.
    the few revieuws i have been reading are totally missing the point.

    Music lovers don't care if an artist can play the diffecult chords and can name all scales
    they dont care if the intonation is good and all of that.
    The most important thing in music is if an artist can hit you where it counts.
    If they hit you right in the Heart then its a good artist, no matter how skilled they are.

    You say you like an artist, and i believe you,
    but there is allways a touch of arrogance
    ( english is not my native language so i shall try to explain )

    The Christmas colab. for instance
    you do know this is not the first big SL colab right ?
    And, as a musician-composer-music lover-whatever
    you should support this effort.

    1) Its not easy to get 24 different recorded parts and try to mix that to one good sounding song
    2) Its a beautifull example on how music brings people together
    3) It shows the strength of SL in general and SL music as a culture

    Now, you can like the song or not, thats your personal taste.
    But a little bit respect for Djai would be in place.
    He has the musical guts to do this and not take credit for it when it's done.
    Only for that you should respect him, who in his right mind would want to try something like this ?
    Well, Djai does.

    He does this cause he loves music, as a musician yourself you should respect this
    regardless if you like it.

    I don't like the charity christmas songs for instance, the band aids and stuff.
    its not my type of music but i respect it and support the goal they want to achieve.

    Personally i think you show very little respect when you revieuw,
    i didnt read them all, i have better things to do with my time
    But things like :

    "But it's because it's so familiar that I am not sure what we can really do with it"
    you don't have to tell me what WE can do with it ? i sit down listen and enjoy.

    "It's fun though, I think it's perfect for this kind of campaign"
    could be my lack of knowledge of english but this sound's like that Djai
    thought, hey lets write these tunes so i can play them on SL and get people all smoochy and emo
    And he didnt, lots of them where written before he started playing SL

    "He would then tell people to sing along, and yell out lines like "can you hear me?"
    It's so cheesy and corny that I am just having a ball!
    It works because he takes it so seriously that I can't help but to just go with it and enjoy the whole process"

    "I felt he was a bit over the top at times, but it worked for me still."

    this is interesting ~smile~
    so it do touches you, it has an effect on you.
    Wauw Djai is really good.
    Still the side words show no respect but i guess its your way of writing and treating people

    Its good to see that you don't want to change our vieuws ( but leave out the WE next time )
    but i guess my biggest problem is that you might

    I am a fan of Djai, no doubt about that, his music and lrics hit me in the heart and i can relate to it
    But, some are not, and some might not even know Djai.
    Would you be the one that changes the opinion of the last group ?
    Don't you think its better that people find out for theirselfs ?

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  4. Hi Paul

    if you support the SLMC then spread the word around

    Merry Christmas!

    You have received this notecard as a Christmas gift from an SL musician or live music lover either because they know you already love the live music scene in SL or they want you to catch the live music bug and enjoy the many shows that are performed in SL every day.

    Below is a URL where you can download a free MP3. The MP3 is a collaborative recording featuring 22 SL musicians all performing an original song entitled "Christmas All Year Through", having recorded their contributions remotely from all over the world. The song was written by Djai Skjellerup and the final mix was painstaking put together by Toby Lancaster. The rest of the collaborators to whom we are hugely grateful for their excellent contributions are listed beneath the song name.

    URL for downloading Christmas All Year Through:

    http://www.mediafire.com/file/wttmmwunktz/SLChristmasAllYearThrough.mp3


    Information Website:

    http://slgetittogether.weebly.com/


    Project Log:

    http://slmc.myfastforum.org/about2137.html


    Collaborators: BabbleGrabble Swindlehurst, Carah Nitely, Franziskus Paine, Jean Munro, Kaklick Martin, Kiarranne Flanagan, Krell Karu,
    Lonnie Nightfire, Lyn Carlberg, Mambo Welles, Mimi Carpenter, OhMy Kidd, The Professor, Rich Desoto, Saraine Sands, Slim Warrior, Tommy Cult, Tpenta Vanalten, Vicki Nilsson, Zak Claxton, Toby Lancaster and Djai Skjellerup

    ReplyDelete